Through the magic of the Internet, I have been able to view the English-language Canadian leaders' debate.
By conventional measures, Liz May won: she made her points most effectively. She's a good lawyer; the others are not lawyers by training.
This does not matter; she cannot win the election. May's strong showing, instead, should help Stephen Harper, by further splitting the left-wing vote. In electoral terms, it was Harper who won.
He was, to my ear, second only to May in selling his viewpoint. When he said, repeatedly, of the demands of others, “we'd like to, but we can't afford it,” that sounded very much like common sense. He seemed to be the only one truly aware that we are currently facing serious economic uncertainty. That alone should win him the election hands down. And his calm demeanor, I think, hit just the right note in such times: a steady voice implies a steady hand.
The debate also helped Harper in another way. Last post or so, I mentioned the value to American politicians of conforming to the American lietmotif of the frontier. It is similarly valuable, although less so, for Canadian politicians to embody the national myth of the survivor: an ordinary person meeting and overcoming adversity through calm, dogged determination. Showing him holding his cool while four others attacked him was a good way to cast Stephen Harper in that role in the public mind, just before an election.
A few notes on details: when Elizabeth May insisted, “families need jobs in the communities where they live,” my immediate response was, “like hell they do.”
Anyone who is not prepared to move for the sake of a job does not deserve to be a Canadian. We are a nation of immigrants. What would Canada be had our ancestors been so helpless and so unmotivated?
Similarly, Layton's concern about conditions on the reserves overlooked an obvious solution available to all native people: leave them.
Gilles Duceppe seemed to think he had a winning issue in demanding that Harper agree to a “reimbursable tax credit” for failing corporations, on the grounds that, if they were not making a profit, an ordinary tax credit was no use to them. But why, I wonder, is it a good thing to take money from ordinary taxpayers and give it to corporations in the first place? Surely only for the opportunity to create jobs, and more tax revenue in future. But this proposal would be a lousy way to do that. Failing businesses tend to be failing for a reason; a sudden government grant is not going to change the economic fundamentals. It is just a matter of throwing taxpayers' money away.
Harper did not say this; perhaps the idea plays well in Quebec.
Like Duceppe, Jack Layton showed that the NDP's instinct too is always to take from the poor and give to the rich. He wants to forgive the student loans of graduating MDs—a handout to anyone entering Canada's wealthiest profession. Liz May quickly agreed. She'd probably extend it to lawyers too.
Layton insists that wood should be used in Canadian manufacture rather than being shipped overseas, saying “they can't make anything with that wood in Asia that we can't make here.”
That's pure jingoism, and obviously untrue. The lefties love to play the nationalism card, to criticise anything foreign (and especially anything from the US). Are we, say, going to build Buddhist temples in Canada and then ship them overseas? How about printing Japanese daily papers in Canada? How's the distribution going to work on that?
In general, Layton strikes me as the least sincere of the leaders. Liz May has an excuse—she seems honourably deranged. Dion is sincere. Layton seems more calculating about his views. You see in his eyes he doesn't believe a word of it. He also kept interrupting Stephane Dion; which may have grated on others as much as it did on me. The same style hurt Al Gore in the US, and politeness is supposed to matter more to Canadians.
On the arts, Layton managed to accuse Stephen Harper of censorship for not funding dissenting voices with taxpayers' money. It is all very well to say that governments should fund the arts; but it is only too obvious that government funding in the past has hopelessly politicised the arts in Canada, so that now to be an artist—or more precisely, to succeed as an artist—requires a political view in conformity with the Liberal party or the NDP.
We are not funding many real artists; we are funding poseurs and party hacks, and calling them artists. And the bad is driving out the good. The arts matter far less to the average Canadian, I think, than they did fifty years ago.
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