I am not posting this story here. I am posting a link to it on SubStack. This is my clever ploy to get you to subscribe to me--for free!-- over there.
I am not posting this story here. I am posting a link to it on SubStack. This is my clever ploy to get you to subscribe to me--for free!-- over there.
We will probably be hearing more from the Epstein files for years. Given three million pages, it will take some time for folks to mine it all, even if no more files are released. There will be books written, on different aspects and on the paticipastion of different figures. Already the files seem likely to topple one world leader, Kier Starmer.
A few initial comments from this seat in the peanut gallery.
I see the claim online that Epstein worshippedor ironically pretended to worship the pagan Philistine god Baal. His strange blue and white island temple structure was referred to by some as a “Baal shrine,” and he had some bank account using “Baal” in the name.
Here I can contribute a bit of knowledge other commentators seem not to have; although it seems simple and obvious enough. This is not conclusive, because Epstein was Jewish and so knew basic Hebrew. “Baal” in Hebrew is a title, not a name. It means “lord” or “master.” A Christian praying in Hebrew would pray to “Baal.” A courtier would call his king “Baal.” We cannot tell from this what god Epstein intended, if any. He might have been referring to himself.
My next observation at this early point is simply to note that “pedophilia” used to be represented as a problem virtually unique to the Catholic church. While it was indeed a problem in the Catholic church, there was never any reason to suppose it was more common there than elsewhere. By now we know it was at least as common in sports leagues, the Boy Scouts, the public schools. It seems to have been everywhere, at every level of society, and especially common among the loudest critics of the Catholic church.
Perhaps Catholics deserves some reparations; for all the reparations they have already paid out. Why were they charged and persecuted, including the entirely innocent laypeople in the pews, and no one else?
My third observation is deep suspicion to hear that aside from the notorious island, Epstein also owned a remote ranch in New Mexico. It was apparently here that the worst things happened.
That rings a bell.
I have long theorized that Kubrick’s Eyes Wide Shut was an expose. Kubrick wanted to blow the whistle, but did not feel it was safe to say it outright. And perhaps it was not. He died unexpectedly soon after finishing that movie.
I indeed have previously pointed out that Eyes Wide Shut also did not seem to be the first time Kubrick was trying to blow the whistle on some Hellfire Club among the elites. His 1961 film Lolita was also about pedophilia. In the film, the underage Lolita is spirited away by a group of Hollywood pedophiles—to a remote ranch somewhere in the West. Perhaps New Mexico?
Here is the passage from the book:
“Curious coincidence—…took her to a dude ranch about a day’s drive from Elephant (Elphinstone). Named? Oh, some silly name — Duk Duk Ranch — you know just plain silly — but it did not matter now, anyway, because the place had vanished and disintegrated. Really, she meant, I could not imagine how utterly lush that ranch was, she meant it had everything but everything, even an indoor waterfall.
…He was a great guy in many respects. But it was all drink and drugs. And, of course, he was a complete freak in sex matters, and his friends were his slaves. I just could not imagine (I, Humbert, could not imagine!) what they all did at Duk Duk Ranch. She refused to take part because she loved him, and he threw her out.
‘What things?’
‘Oh, weird, filthy, fancy things. I mean, he had two girls and two boys, and three or four men, and the idea was for all of us to tangle in the nude while an old woman took movie pictures.’ (Sade’s Justine was twelve at the start.)
‘What things exactly?’
‘Oh, things… Oh, I — really I’ — she uttered the ‘I’ as a subdued cry while she listened to the source of the ache, and for lack of words spread the five fingers of her angularly up-and-down-moving hand. No, she gave it up, she refused to go into particulars with that baby inside her. That made sense. ‘It is of no importance now,’ she said pounding a gray cushion with her fist and then lying back, belly up, on the divan. ‘Crazy things, filthy things. I said no, I’m just not going to [she used, in all insouciance really, a disgusting slang term which, in a literal French translation, would be souffler] your beastly boys, because I want only you. Well, he kicked me out.’
… ‘Fay had tried to get back to the Ranch — and it just was not there any more — it had burned to the ground, nothing remained, just a charred heap of rubbish. It was so strange, so strange —'"
This seems an odd coincidence. Surely Kubrick, and indeed Vladimir Nabokov before him, could not have known then of Epstein’s “Zorro Ranch”? The novel was published in 1955. Epstein reportedly bought his “Zorro Ranch” only in 1991.
But Epstein might not have been a one-off, some solitary evil mastermind. More likely he was raised and groomed to his role, plucked from obscurity, by some pre-existing group or invisible institution. He might have been following an established template.
From 1957 to 1960, Kubrick was under contract to Kirk Douglas. By 1960, they had a bitter falling out.
Recently, following his death, the sister of Natalie Woods has publicly claimed that Douglas sexually assaulted that actress in 1955, when she was only 16.
Was this a one-off? During the pedophilia scandal in the Catholic church, we were assured that pedophilia was never one-off. Pedophiles were incurable. This was why it was culpably wrong of the church to accept claims of repentance and simply reassign accused clergy. The only solution was chemical or physical castration, we were told.
So it seems fair to assume the same of Kirk Douglas. He was presumably a serial pedophile, and a member of a pedophile ring in his day.
Probably then there was some attempt, while Kubrick was under contract, to introduce Kubrick to the ring and its activities. As with the Epstein operation, this would have been a kind of initiation, allowing for blackmail later if anyone strayed from the established path. And so Kubrick became aware of what was going on.
Kubrick broke with Douglas, as noted, in 1960. The next year he filmed Lolita—then left for England, never to return. That move to England might have been career suicide—he deliberately took himself away from all the action in Hollywood.
Perhaps out of disgust. Perhaps fearing for his safety.
An interesting timeline.
I have long
suspected that Stanley Kubrick’s Eyes Wide Shut, was blowing the whistle
on some kind of Hellfire Club going on among the prominent and wealthy.
Revelations
since about Jeffrey Epstein and P Diddy and Hillary Clinton’s Russia hoax seem
to confirm this. There really has been some sort of immoral cabal at the top
running much of the society. And this explains many things, like large
corporations seeming to act against their own self-interest, politicians going
against the popular will and fearing free speech, and, not least, Trump
Derangement Syndrome.
But for how
long has this been going on? Is it new, or are we only hearing about it now?
Kubrick’s far earlier film, Lolita, 1962, might
also have been a blow on the whistle. It deals with ephebophilia, which
seems the dominant obsession of the Epstein cult. That is, having sex with young,
but post-pubescent, women. An obvious attraction for the rich and powerful: all
societies and cultures see youth and innocence as highly desirable in women. So
it is reasonable to foresee this as an ideal commodity for a corrupt blackmail
cult.
Kubrick filmed Lolita as his first independent production,
after breaking a multi-film contract with Kirk Douglas. The two had a bitter
falling out.
In the opening scene of Lolita, James Mason asks Peter
Sellers, “Are you Quilty?” And Sellers responds, “I am Spartacus. Why, have you
come to free the slaves, or something?”
The film is relatively sympathetic towards Mason as Humbert
for his obsession with underage Lolita. It is a natural enough desire. But
Quilty is the real villain. As the movie’s plot unfolds, he kidnaps the
underage Lolita and takes her to a “dude ranch” full of his “weird friends.”
It sounds so much like the Epstein arrangement.
Spartacus, in Kubrick’s previous film, was played by Kirk
Douglas. By saying “I am Spartacus,” Quilty/Sellers is identifying himself with
Douglas. And implying Douglas in some sense kept slaves, as Quilty does. Perhaps
young female slaves, as Quilty does.
In 2021, soon following his death, Douglas was accused by
the family of Natalie Wood of having brutally raped her when she was a child
star of sixteen. She and her family had kept silence all these years due to
fear of his power and influence.
There are suspicions around another starlet, Jean Spangler. Not
underage; but she disappeared. Her purse was found, with signs of a struggle, containing
an unfinished note that read “Kirk: Can’t wait any longer, Going to see Dr.
Scott. It will work best this way while mother is away,” She was three months
pregnant. Like the pianist in Eyes Wide Shut, there has been no sign of her
since.
Whatever his experiences with Douglas, as soon as he was
able to get out of that contract, Kubrick decamped to England for the rest of
his life, a very strange move in terms of career. Although Lolita was set in
the US, Kubrick awkwardly filmed it in England, using what American or Canadian
actors resident in the UK to get the accents right. As he did for all the
rest of his films. Surely a striking eccentricity. As if there was something in
Hollywood he feared or needed to escape.
Kubrick’s wife has said he had wanted to make Eyes Wide Shut
for years, but felt he was not ready to yet. Not ready? What held him up? It
was not an expensive story to film in terms of special effects, like some of
the other films he made before it. It did not require great historical
research, like some of the other films he made before it. And as soon as he did
make it, he suddenly died. A heart attack in his sleep, age 70, six days after
the film’s final cut.
Did they get to him?
Did he let go and die knowing he had finally said what
needed to be said?
Did he die of the stress of possible reactions from powerful
quarters?
I hope one day we know.
In 2008, state prosecutor Alexander Acosta cut an illegally generous plea deal with Jeffrey Epstein, later overturned, granting Epstein immunity from federal prosecution. Rather like Ray Epps. Asked why later, Acosta explained he was told by the relevant authorities, presumably meaning the CIA or FBI, that Epstein was an “intelligence asset.”
And that explains everything. It’s not complicated.
Of course Epstein was an intelligence asset. He was running a honey trap operation. He would tempt important individuals into having sex with minors. The girls had to be underage, to make the act sufficiently scandalous. This would open the marks—possibly willing marks, like those who undergo an initiation to join a secret society, a Hellfire Club-- to blackmail, and they were then under the agency’s control.
The agency might also further their political or business career as well—now that they were initiated, and could be relied upon to toe the official line.
The unspecified agency is not out to prevent espionage by some foreign power. Of course not; to assume so is naïve. What’s in that for them? The agency is out to control the government of their own country or countries, apparently the US; although the UK also seems to be getting a lot of attention.
Only some conspiracy among the powerful, after all can explain how Epstein managed to “hang himself” with violence in his cell. With all the security cameras turned off, and the guards “asleep.” Caught and caged, he was no longer an asset: now he was a security risk. He might talk.
This explains why there is such resistance to Trump within the deep state; and specifically, one must notice, within the intelligence services. He was presumably never honey-trapped, for all his faults, and so he is, for them, a loose cannon.
This explains the strangeness of the last Democratic presidential race, how Bernie Sanders abruptly folded his tent and fell in line behind Biden—as, at almost the same time, did Buttigieg and Bloomberg. The word had come down; and the puppet masters had something on them.
Of course, it also makes sense to subvert the press.
How else explain the mysterious and sudden transformation of Matt Drudge from right-wing Trump supporter to just another mouthpiece for the left--killing most of his business. They must have something on him.
This explains the transformation, too, of Anne Coulter. She seemed to fall silent, and when she writes now, it is in defense of Ray Epps.
This might even explain why big companies like Google or Facebook have gone along so readily with government calls for censorship, even though it damaged their business. We know Bill Gates was involved with Epstein. Chief executives may have been compromised. This explains especially the case of Jack Dorsey, who actually seemed to welcome Musk’s acquisition of the platform. He seemed to endorse Musk’s goals, but was incapable himself of achieving them. Presumably because the invisible hands had something on him.
This perhaps even explains why democratic governments elsewhere—the UK, Canada, the EU—are doggedly pursuing unpopular policies. They are clearly answering to some master other than the people. A master who holds more power over them than the mere threat of losing office.
I wonder if Ted McCarrick’s operation within the Catholic Church, alternately bribing senior figures with large amounts of cash and holding sex parties, was only run on the same principles, or if it was an arm of the intelligence conspiracy. Might they want to control the Church, with its influence, for the same reason they would want to control the press? Where did McCarrick raise all the money that he was famous for being able to spread about? One suspects it was US taxpayers’ money, expropriated for some intelligence agency without oversight.
For that matter, where did Epstein’s money come from? He rose from nowhere.
Once you see it, it’s not subtle; it’s barely even hidden. The honey-trap is the time-honoured technique for turning foreign spies. It is an intelligence agency’s standard MO.
Everybody knows J. Edgar Hoover kept files on important figures for possible blackmail. Why not his successors?
I suspect Stanley Kubrick was aware of it all, and was warning us with Eyes Wide Shut. He held off for many years, his wife tells us, on making this film, not feeling he was ready for it. Perhaps he waited until knew he was likely to die soon. So he had less to lose.
Or perhaps they got to him.
Keep your eyes open. Wide.
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| Francis Dashwood, a leader of the Hellfire Club, by Hogarth. |
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| Owl of Minerva, crest of the Bavarian Illuminati |
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| Jeffrey Epstein |